The processes of printmaking, painting, mixed media, and digital imagery are Maree Horner’s main areas of investigation. Principally her work explores the nature of the relationship between the feminine and masculine, between the mind and the body, evoking the erotic through suggestive interplays. Often mixed-up scale serves to undermine existing power structures symbolically inherent in objects to establish new meaning.
After completing a Master of Fine Arts degree at Elam School in 1974 and a brief period of overseas travel in the late 1970s, she settled in Taranaki with her family where she still lives and works.
2019
Chair, Anderson Rhodes Gallery, Ngāmotu New Plymouth (acquired for AAG collection, 2020)
2018
Necessary substratum, Anderson-Rhodes Gallery, Ngāmotu New Plymouth
2011
Furniture of the world, Bledisloe Walkway Lightboxes, Artist Project – Auckland City Council, Tāmaki Makaurau Auckland
2023
Earthed, NorthArt, Tāmaki Makaurau Auckland
Suburbia - mothermother iteration 22, NorthArt, Tāmaki Makaurau Auckland
Enigma of Life, ARTDOC Photographic Magazine, Augmented Harvest
Celebration, Aratoi Gallery, Masterton
Door, window, world, Artspace Aotearoa, Tāmaki Makaurau Auckland
2022
Ground Zero, CAS Contemporary Art Space, New Plymouth
2021
Homework 3, Puke Ariki Museum, Ngāmotu New Plymouth